Objective and visionary at the same time, Stefania Beretta's eye on the world draws pictures of truth. It doesn't flatter, it doesn't seek to astound, it doesn't provoke, it doesn't attack - and above all it doesn't exhibit or put to use what it points out. Nor does it aim to produce spectacle or aesthetic or formalistic satisfaction. As it selects it follows the principle of naturalness, which guides the internal rhythm of this way of looking and showing and is at the origin of its authenticity.